Amodern

Amodern 3 · June 2017

SPORT AND VISUAL CULTURE

In This Issue

AESTHETICS AND THE POLITICS OF REPRESENTATION

AESTHETICS AND THE POLITICS OF REPRESENTATION

The Making of Modern English Sport

Richard Gruneau

From the medieval period in European history through the Renaissance, words such as “games,” “pastimes” and “sport” referenced a broad range of local elite and folk practices, including field sports and contests in para-military arts; gymnastic exercises; team events or individuals kicking or hitting balls or other objects; as well as religious rituals and festival events involving demonstrations of various types of physical strength, speed or skill. These diverse practices... Read more...

FEMINIST FIGURE GIRL

FEMINIST FIGURE GIRL

A Photographic Dialogue

Lianne McTavish, Patrick J. Reed

Lianne: I had planned my new project in detail, drawing on my training in visual and feminist theory before reading about auto-ethnographic research methods, the gender politics of bodybuilding competitions, and phenomenological theory. Yet I did not become a future figure competitor until October 18, 2010. That is when I entered a small, dimly-lit consultation room with my current personal trainer, Audrey Shepherd, and removed my workout pants and t-shirt to... Read more...

LOOKING INTO THE PAST

An Interview with Ludmilla Jordanova

Jonathan Finn, Ludmilla Jordanova

Ludmilla Jordanova is a scholar whose work crosses the disciplines of history, science and technology studies, art history, and visual culture studies. She is the author of numerous books including Sexual Visions: Images of Gender in Science and Medicine between the Eighteenth and Twentieth Centuries (1989), History in Practice (2nd ed. 2006), and The Look of the Past: Visual and Material Evidence in Historical Practice (2012). While very diverse in subject matter, her works are united in... Read more...

INTERSECTIONS

Ways of Knowing Mixed Martial Arts and Visual Culture

Anu Vaittinen

Introduction Mixed Martial Arts (MMA), also previously referred to as No-Holds Barred, Ultimate Fighting and Cage fighting, is a highly mediated contemporary, full contact combat sport. It is an amalgamation of skills and techniques drawn from a range of unarmed martial arts and combat sports that gradually developed into a new, hybrid form of sports fighting.1 A brief introduction highlighting the development of MMA, since it emerged in its contemporary... Read more...

SEEING THE SKELETON AND FEELING THE FORM

SEEING THE SKELETON AND FEELING THE FORM

Robin Veder

The Armory Show The “International Exhibition of Modern Art” opened in New York City in February 1913. This was the first extensive exhibition of European and American modernist art to be held in the United States. As such, the Armory Show (as it is now known) is considered a major turning point in the history of aesthetic modernism in the United States. The American Posture League, founded in New Jersey... Read more...

TOQUES AND TURBANS, STICKS AND SHOW TUNES

Incorporating the "Other" within Canadian Hockey Films

Russell Field

Narratives of hockey have frequently been mobilized to stand in for Canadian-ness, a seemingly inclusive national identity grounded in the sport’s association with a northern climate. The sport has been called the “Canadian metaphor,” a “national religion,” and an image of a game being played by children on a frozen pond adorns the $5 bill.1 This national image, however, is most often white, male, and middle class (with the Anglo-French... Read more...