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Sarah Nance

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TRUE CRIME’S POETIC FORM

Amodern 10: DISABILITY POETICS

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Issues

Amodern 13: AFFECTIVE SIGNALS
Amodern 12: COUNTERTYPE
Amodern 11: BODY AND/AS PROCEDURE
Amodern 10: DISABILITY POETICS
Amodern 9: TECHNIQUES AND TECHNOLOGIES
Amodern 8: TRANSLATION–MACHINATION
Amodern 7: EPHEMERA AND EPHEMERALITY
Amodern 6: READING THE ILLEGIBLE
Amodern 5: HARLEY PARKER
Amodern 4: THE POETRY SERIES
Amodern 3: SPORT AND VISUAL CULTURE
Amodern 2: NETWORK ARCHAEOLOGY
Amodern 1: THE FUTURE OF THE SCHOLARLY JOURNAL

In the Current Issue

A VOICE OF THEIR OWN
CURATING NOISE
CURATING POETRY RELATIONALLY AS SOUND
DO I HAVE TIME FOR ONE MORE?
THE AMODERNS: MATERIAL RESONANCE
OUR LOVE OF MUSIC CLOSER TOGETHER
SOUND DRAWS US TOGETHER
TECHNOLOGIES OF FABULOUS, TRANSMEDIAL DRAG & MINOR DIGITIZATION
TRANSCRIPTION AS CURATION
WORD OF MOUTH

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